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    <loc>https://www.nilakash.com/archives/creating-a-conlang-family-part-14-planning-aspect-amp-mood-morphology-in-language-1a</loc>
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      <image:title>Archives - Creating a Conlang Family Part 14: Planning Aspect &amp;amp; Mood Morphology in Language 1a - I’m calling these affixes preverbs for now, although I’m not particularly happy about it. “Preverb” isn’t a widely accepted linguistic term, and although it is discussed in the context of Caucasian and Algonquinian languages (two major inspirations for this language), it’s used there primarily for location/direction meanings, with the aspectual &amp; modal information that they could convey being secondary. However, I’m calling them preverbs until I can think of something better, because “Harmony-blocking and Non-harmony-blocking modal and aspectual prefixes” was proving far too clunky.</image:title>
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  <url>
    <loc>https://www.nilakash.com/archives/creating-a-conlang-family-part-14-reconstructing-a-middle-stage-of-language-1b</loc>
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    <priority>0.5</priority>
    <lastmod>2025-05-29</lastmod>
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      <image:title>Archives - Creating a Conlang Family Part 14: Reconstructing a Middle Stage of Language 1b - Make it stand out</image:title>
      <image:caption>Some things to note: For this language, I opted for vowel doubling to indicate length. I used a circumflex instead on ⟨ê⟩, because ⟨ee⟩ looks like /i/ to English speakers. Besides, I like the circumflex. As vowel hiatus isn’t a thing, I can use vowel letters for glides. I opted for historical spellings for ⟨eu⟩ and ⟨au⟩. They look cool and aren’t that uncommon for open front and back rounded vowels respectively.</image:caption>
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    <loc>https://www.nilakash.com/archives/creating-a-conlang-family-part-13-the-verb-agreement-of-proto-language-0</loc>
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      <image:title>Archives - Creating a Conlang Family Part 13: The Verb Agreement of Proto-language 0 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Archives - Creating a Conlang Family Part 13: The Verb Agreement of Proto-language 0 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.nilakash.com/archives/creating-a-conlang-family-part-12-reconstructing-protolanguage-0-part-2-vowel-loss</loc>
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    <priority>0.5</priority>
    <lastmod>2025-05-29</lastmod>
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  <url>
    <loc>https://www.nilakash.com/archives/creating-a-conlang-family-part-10-reconstructing-protolanguage-0</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-29</lastmod>
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      <image:title>Archives - Creating a Conlang Family Part 11: Reconstructing Protolanguage 0 - Make it stand out</image:title>
      <image:caption>(Notice that I deleted /j/ and /w/ from this table. I’ve decided to delete them from protolanguage 1 as well - it just felt like they weren’t fitting.)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nilakash.com/archives/creating-a-conlang-family-part-10-romanization</loc>
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    <priority>0.5</priority>
    <lastmod>2025-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6834ee187aa56e563099f46a/6a9b16d3-da0d-42f7-80fe-708e2baddd28/Screenshot+2025-05-29+at+12.22.22%E2%80%AFPM.png</image:loc>
      <image:title>Archives - Creating a Conlang Family Part 10: Romanization - The vowel system’s romanization is very wacky, probably because the vowels themselves are pretty weird. That’s one of the shortcomings of romanization – it has issues when dealing with extremely non-latin-like phonologies. This may not be the final version, but it’s good enough for now. Some things to note: Acute accents for long vowels, including double acutes for long umlaut vowels – think Hungarian. I like this better than double letters, because ⟨oo⟩ and ⟨ee⟩ are weird for English speakers, and I just don’t like the look of ⟨öö⟩.  A digraph for /ɯː/. I just couldn’t figure out how to distinguish ı with an acute accent from í. Besides, ıı looks cool. However, it’s not great, and I may change it later. The very English-y ⟨o⟩ for /ɒ/. The digraphs for the approximants. Yeah, I could have used the single letters /b d g/, but the language is already non-intuitive enough.</image:title>
      <image:caption>The vowel system’s romanization is very wacky, probably because the vowels themselves are pretty weird. That’s one of the shortcomings of romanization – it has issues when dealing with extremely non-latin-like phonologies. This may not be the final version, but it’s good enough for now. Some things to note: Acute accents for long vowels, including double acutes for long umlaut vowels – think Hungarian. I like this better than double letters, because ⟨oo⟩ and ⟨ee⟩ are weird for English speakers, and I just don’t like the look of ⟨öö⟩.  A digraph for /ɯː/. I just couldn’t figure out how to distinguish ı with an acute accent from í. Besides, ıı looks cool. However, it’s not great, and I may change it later. The very English-y ⟨o⟩ for /ɒ/. The digraphs for the approximants. Yeah, I could have used the single letters /b d g/, but the language is already non-intuitive enough.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6834ee187aa56e563099f46a/33022a68-bc45-47f5-8292-4453a4e4b4af/Screenshot+2025-05-29+at+12.21.16%E2%80%AFPM.png</image:loc>
      <image:title>Archives - Creating a Conlang Family Part 10: Romanization - Some things to note: The use of ⟨ă⟩ for /ɐ/, inspired by the Romanian use of ⟨ă⟩ for /ə/. The use of ⟨rh⟩ for /ʁ/. As far as I know, this isn’t precedented. However, in the languages that have /ʁ/ as a dedicated phoneme, the prevailing standard seems to be ⟨ğ⟩, which I am not a fan of. The use of ⟨j⟩ instead of ⟨zh⟩. I just like it better for this language.</image:title>
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  <url>
    <loc>https://www.nilakash.com/archives/creating-a-conlang-family-part-95-underspecified-phonemes-and-verb-agreement-in-descendant-languages</loc>
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    <lastmod>2025-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6834ee187aa56e563099f46a/9a96965d-7464-4c63-8c29-2e26741cf880/Screenshot+2025-05-29+at+12.19.08%E2%80%AFPM.png</image:loc>
      <image:title>Archives - Creating a Conlang Family Part 9.5: Underspecified Phonemes, and Verb Agreement in Descendant Languages - Make it stand out</image:title>
      <image:caption>*(Note that the suffix form of the second person plural will always be close/velar, because the [ç] blocks backing harmony.)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6834ee187aa56e563099f46a/4be52872-a330-44df-a0ee-9b82eb7165cd/Screenshot+2025-05-29+at+12.17.40%E2%80%AFPM.png</image:loc>
      <image:title>Archives - Creating a Conlang Family Part 9.5: Underspecified Phonemes, and Verb Agreement in Descendant Languages - Same deal applies here. Note the underspecified phonemes Yː and Oː, which were formed when diphthongs with an off-glide [u̯] coalesced. We won’t see these here, but we’ll be dealing with them later.</image:title>
    </image:image>
    <image:image>
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      <image:title>Archives - Creating a Conlang Family Part 9.5: Underspecified Phonemes, and Verb Agreement in Descendant Languages - (When one of the underspecified vowel phonemes is followed by a long mark, ː, that means that it’s a long version of whichever vowel the underspecified phoneme becomes.)</image:title>
    </image:image>
    <image:image>
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      <image:title>Archives - Creating a Conlang Family Part 9.5: Underspecified Phonemes, and Verb Agreement in Descendant Languages - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nilakash.com/archives/creating-a-conlang-family-part-8-making-euphonous-affixes-may-4</loc>
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    <priority>0.5</priority>
    <lastmod>2025-05-29</lastmod>
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      <image:title>Archives - Creating a Conlang Family Part 9: Making Euphonous Affixes - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6834ee187aa56e563099f46a/4c98ab7f-0628-4b0d-8650-e0b8193afdcd/Screenshot+2025-05-26+at+4.59.02%E2%80%AFPM.png</image:loc>
      <image:title>Archives - Creating a Conlang Family Part 9: Making Euphonous Affixes - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nilakash.com/archives/creating-a-fictional-language-family-part-6-last-sound-changes-in-language-1b-t2k6j</loc>
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  <url>
    <loc>https://www.nilakash.com/archives/creating-a-fictional-language-family-part-6-last-sound-changes-in-language-1b</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6834ee187aa56e563099f46a/6d524826-51ef-4b9e-9685-6aaa05b7bd26/Screenshot+2025-05-26+at+4.56.16%E2%80%AFPM.png</image:loc>
      <image:title>Archives - Creating a Fictional Language Family Part 7: Last Sound Changes in Language 1b - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nilakash.com/archives/creating-a-fictional-language-family-part-5-rounding-harmony-atlrj</loc>
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    <priority>0.5</priority>
    <lastmod>2025-05-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6834ee187aa56e563099f46a/bf0a1dcf-510f-4eb5-8b75-279a37854330/Screenshot+2025-05-26+at+4.53.51%E2%80%AFPM.png</image:loc>
      <image:title>Archives - Creating a Fictional Language Family Part 6: A Discussion of Phonaesthetics, and Language 1a Consonant Shifts</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.nilakash.com/archives/creating-a-fictional-language-family-part-5-rounding-harmony</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-27</lastmod>
    <image:image>
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      <image:title>Archives - Creating a Fictional Language Family Part 5: Rounding Harmony</image:title>
      <image:caption>* opaque progressively to backing harmony † sometimes transparent to rounding harmony § opaque progressively to rounding harmony</image:caption>
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  <url>
    <loc>https://www.nilakash.com/archives/blog-post-title-one-3l2b9-5l6af-dt224-ec63j-rhjbr</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6834ee187aa56e563099f46a/2b951f9e-f8d6-4e93-8fb8-ee520b9a26b5/Screenshot+2025-05-26+at+4.40.07%E2%80%AFPM.png</image:loc>
      <image:title>Archives - Creating a Fictional Language Family Part 4: Vowel Hiatus, Diphthongs and Monophthongization - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6834ee187aa56e563099f46a/75636ce7-2dac-416a-aff3-83b8a3f428e9/Screenshot+2025-05-26+at+4.43.08%E2%80%AFPM.png</image:loc>
      <image:title>Archives - Creating a Fictional Language Family Part 4: Vowel Hiatus, Diphthongs and Monophthongization - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6834ee187aa56e563099f46a/cc4c8db5-a33e-4390-b4d1-28427bab0903/Screenshot+2025-05-26+at+4.42.07%E2%80%AFPM.png</image:loc>
      <image:title>Archives - Creating a Fictional Language Family Part 4: Vowel Hiatus, Diphthongs and Monophthongization - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6834ee187aa56e563099f46a/3305e058-a378-4e34-91f5-2f48b70292b7/Screenshot+2025-05-26+at+4.41.11%E2%80%AFPM.png</image:loc>
      <image:title>Archives - Creating a Fictional Language Family Part 4: Vowel Hiatus, Diphthongs and Monophthongization - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.nilakash.com/archives/blog-post-title-one-3l2b9-5l6af-dt224-ec63j</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-27</lastmod>
    <image:image>
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      <image:title>Archives - Creating a Fictional Language Family Part 3: Evolving Vowel Harmony in Language 1a</image:title>
      <image:caption>*opaque progressively †sometimes transparent bidirectionally</image:caption>
    </image:image>
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  <url>
    <loc>https://www.nilakash.com/archives/blog-post-title-one-3l2b9-5l6af-dt224</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6834ee187aa56e563099f46a/20098f51-6cfc-4401-aece-e195c876c53e/Screenshot+2025-05-26+at+4.35.32%E2%80%AFPM.png</image:loc>
      <image:title>Archives - Creating a Fictional Language Family Part 2: Evolving Vowel Harmony in Language 1b</image:title>
      <image:caption>*opaque progressively †sometimes transparent bidirectionally</image:caption>
    </image:image>
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  <url>
    <loc>https://www.nilakash.com/archives/blog-post-title-one-3l2b9-5l6af</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6834ee187aa56e563099f46a/8bf6d710-6959-4d31-ac12-72b6f322e453/Screenshot+2025-05-26+at+4.25.37%E2%80%AFPM.png</image:loc>
      <image:title>Archives - Creating a Fictional Language Family Part 1: Proto-phonology, and a Discussion of Emphasis Harmony - Phonotactics:</image:title>
      <image:caption>(C)V(C) permits vowel hiatus up to a sequence of VV permits word-initial sP sequences, where P is a voiceless plosive</image:caption>
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  <url>
    <loc>https://www.nilakash.com/archives/blog-post-title-one-3l2b9</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-05-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6834ee187aa56e563099f46a/d5509efc-8a6e-4cbe-8fcd-98a6cb1d7996/Screenshot+2025-05-26+at+4.18.23%E2%80%AFPM.png</image:loc>
      <image:title>Archives - Creating a Fictional Language Family Part 0: Introduction - The Plan &amp; Terminology</image:title>
      <image:caption>I’m not yet at the point in this process where I can give these languages endonyms, and I don’t have enough worldbuilding around them to give them exonyms either. As such, I’ll be referring to them like this:</image:caption>
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